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Barney kessel 1952 transcriptions10/28/2022 The overview also supplies a tabulation of this page's 101 masters and alternate takes, plus trivia such as Lee's placement in Downbeat polls from 1957 to 1959. Readers interested in an encompassing account of this sub-period (1957-1959) are advised to scroll down to the bottom of the page, where they will find an extensive overview. The present discographical page covers the first three years of Lee's second Capitol period. (The two exceptions are our pioneering veteran, Peggy Lee, and a steadfast latecomer, Nancy Wilson.) In the category of "longevity artists," this grand total also places her within the label's top 10, which is filled almost entirely with male acts. The resulting 22-year count grants Peggy Lee top placement as the female artist who worked for Capitol the longest. It found the singer holding recording sessions at the Capitol Tower from Apto April 28, 1972. The period's de facto conclusion would come in the form of another session, scheduled for February of 1952. It had its informal start with a pre-contract session that took place in January of 1944. The first Capitol period extended over seven years of Lee's career. To be more specific, Peggy Lee's vocal stardom shone at Capitol for two long periods (separated only by a five-year residence at a rival label, Decca Records). Capitol turned out to be, after all, the company on which Lee spent the bulk of her recording career. It was a perfectly understandable perspective. The singer considered Capitol Records her alma mater. Peggy Lee's Capitolian CareerWhen it came to the music world, Capitol is where Peggy Lee felt that she belonged. Undated, the two remaining shots are likely to be from 1959 (or the first months of the ensuing year, at the latest). To be more precise, the first two shots above were definitely taken in 1957, the first two shots below probably in 1958. Accordingly, both rows of photos feature pictures estimated to date from each of those years. The set aims at capturing Peggy Lee's physical appearance during the discographical period under discussion (1957-1959). The Peggy Lee LookThis page opens with a photographic set consisting of six shots, three of them placed right above and the other three located down below, by the end of this introductory section. The Capitol Years, Part IV (1957-1959) by Iván Santiago
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